Delacroix’s “Liberty Leading the People” at the terminus of the Louvre-Lens’ grand gallery. (Photo by Richard Ingersoll.)

SANAA’s Anti-Louvre

Delacroix’s “Liberty Leading the People” at the terminus of the Louvre-Lens’ grand gallery. (Photo by Richard Ingersoll.)

Just before Christmas a superb new museum—a subsidiary of the Louvre in Paris—opened in the ex-coal mining city of Lens in northern France. To promote this breakthrough in museology, the curators chose the familiar icon of revolution, Eugène Delacroix’s “Liberty Leading the People,” one of some 200 artworks on loan from the parent institution, the world’s most popular museum. Richard Ingersoll paid a visit. > Read More

Caption: Costantino Nivola at his farmhouse, Dicomano, Italy, 1981. Photo courtesy of Richard Ingersoll.

TINO THE GIANT (PART ONE)

Costantino Nivola at his farmhouse, Dicomano, Italy, 1981. Photo courtesy of Richard Ingersoll.

 

Memories of the sculptor and painter Constantino Nivola, a friend of Corbu, a neighbor of Jackson Pollock, and in the 1970s a lecturer at Berkeley CED.

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Aerial photo of Ronchamp today. Photographer: Iwan Baan (Bauwelt)

Renzo Against Corbu

Aerial photo of Ronchamp today. Photographer: Iwan Baan (Bauwelt)

When Renzo Piano was commissioned to make some additions and adjustments to Le Corbusier’s iconic Notre Dame du Haut at Ronchamp, it caused an uproar. Now that the scaffolds have been removed, Richard Ingersoll wonders what the controversy was about.

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Richard Ingersoll

Contributor Profile: Richard Ingersoll

 

Richard Ingersoll, born in California, 1949, earned a doctorate in architectural history at UC Berkeley, taught at Rice University from 1986-97 and currently teaches at Syracuse University in Florence (Italy). > Read More