Google NY by ToastyKen

The new corporate? It’s about the mix.

High tech in the city: Google's New York campus dwarfs its neighbors. Photo by ToastyKen

A standing-room-only crowd turned out for SPUR’s January 11 program on “The Not So Corporate Campus.” The program promised to reveal the “future of work,” with a panel including Alexa Arena, Forest City’s vice president in charge of the groundbreaking 5M Project, John Igoe of Google, Everett Katibak of Facebook, and moderator Laura Crescimano of Gensler. While the discussion highlighted three campus projects that are trying to go beyond the typical speculative development of office parks, it posed unanswered questions about the importance of diversity and flexibility in sparking innovation. > Read More

Randel Farm Map no. 55, vol. 1, p. 16, showing 101st to 109th Street, from Third Avenue to the East River, July 21, 1820. Used with permission of the City of New York and the Office of the Manhattan Borough President.

Mash-up at Right Angles

Randel Farm Map no. 55, vol. 1, p. 16, showing 101st to 109th Streets, from Third Avenue to the East River, July 21, 1820. Used with permission of the City of New York and the Office of the Manhattan Borough President.

 

The 1811 plan mandating an orthogonal street grid helped make Manhattan a paragon of urban form. Today we take rectilinear New York for granted, and love its vitality. An exhibition reveals both prescience and problems in the grid’s rich history.

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View from Yerba Buena Gardens. Image courtesy Snøhetta.

SNØHETTA DESIGNS THE SFMOMA EXPANSION

View from Yerba Buena Gardens. Image courtesy Snøhetta.

 

Compared to the existing San Francisco Museum of Modern Art building, the new addition designed by Craig Dykers of Snøhetta looks, well, very new. This is not stating the obvious; it seems as if the museum itself is about to change into something completely different. > Read More

Aerial photo of Ronchamp today. Photographer: Iwan Baan (Bauwelt)

Renzo Against Corbu

Aerial photo of Ronchamp today. Photographer: Iwan Baan (Bauwelt)

When Renzo Piano was commissioned to make some additions and adjustments to Le Corbusier’s iconic Notre Dame du Haut at Ronchamp, it caused an uproar. Now that the scaffolds have been removed, Richard Ingersoll wonders what the controversy was about.

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Picture 1: Richard Serra, Abstract Slavery, 1974; paintstick on Belgian linen; 114 x 212 inches; collection of Kröller-Müller Museum, Otterlo, The Netherlands; © 2011 Richard Serra / Artist Rights Society (ARS), New York; photo: Robert Mates and Paul Katz

Richard Serra: A Retrospective

Picture 1: Richard Serra, Abstract Slavery, 1974; paintstick on Belgian linen; 114 x 212 inches; collection of Kröller-Müller Museum, Otterlo, The Netherlands; © 2011 Richard Serra / Artist Rights Society (ARS), New York; photo: Robert Mates and Paul Katz

 

Richard Serra is the quintessential modern artist. The exhibition Richard Serra Drawing: A Retrospective at the San Francisco Museum of Modern Art makes obvious that he’s immune to convention, a follower of no movement, and firm against authority—occasionally even his own. > Read More