Kobe, Japan, 8.1999, Shinkobe Oriental Hotel

A ROOM WITH A VIEW: SELECTING SUBJECTS BY CHANCE

 

Over about a 10-year period in the 1990s I did a lot of traveling, which involved periodic waiting around in hotels before and after meetings. I decided that on every trip I would execute a watercolor painting of the view through my hotel window regardless of the merits of the scene. I did not cheat by asking for a room with a view or changing rooms to obtain a better one, so a fair percentage of sketches were of parking lots, light wells and rooftop equipment. Sometimes it was not possible, so the record of a number of trips is missing. The sketches typically took about 30-45 minutes. The pictures shown here are chosen from about 80 available scenes. I have selected those that I think are most successful, but the viewer will see that many of the subjects are not those that would normally be chosen.

 

This method of choice results in a wide range and scale of subjects and also provides a random sample of the contemporary urban scene, not as conventionally seen by the pedestrian or from the air, but from 4 to 30 stories above the street.

 

The captions provide the location, the date, the hotel in which I was staying and occasionally an explanatory comment.

 

 

Denver, CO, December 1993, Embassy Suites: Akasaka, Tokyo, March 1995, Capitol Tokyu Hotel

 

 

Washington, DC, June 1994 (left) and July 1994 (right; views of the same building)

 

 

Anchorage, AK, November 1996, Sheraton Hotel: Washington, DC, May 1995, Hotel Lombardy

 

 

Icon: San Francisco, May 1995, Holiday Inn: Unknown: Shantou, China, May 1999, Golden Gulf

 

 

Chicago IL, July 1994: Sparks, NV, August 1997, Nugget Hotel

 

 

Ann Arbor, MI, November 1998, Holiday Inn, N. Campus: Guam, September 2000, Westin Hotel (the ocean colors are real)

 

 

Denver, CO, March 1996, Embassy Suites: Tokyo, July 1997, Yaesu Fujiya Hotel

 

 

Washington, DC, Lombardy Hotel, June 1995 (left) a fragment and August 1998 (right), 2000 Pennsylvania Avenue

  

 

Chicago, IL, July 1994, Marriott Hotel: Waseda, Tokyo, December 1997, Hotel Rihya

 

 

San Diego, CA, June 1996, Clarion Hotel: New York, NY, May 2000, Butler Hall, Columbia University

 

 

Vancouver, BC, July 1997, Blue Horizon Hotel: Acapulco, Mexico, June 1996, Acapulco Plaza Hotel

 

 

This panorama of Kobe was executed as three separate paintings on successive days in January 2000, at the Portopia Hotel, on the occasion of the 5th anniversary memorial service for victims of the January 17, 1995 earthquake.

 

On January 17, 1995, the Japanese city of Kobe and its surrounding region was hit by a massive earthquake. A major port city, with a population of 1.5 million, Kobe suffered over 4000 deaths, the collapse of 200,000 buildings, and the destruction of 150 quays in the port and fires that raged throughout the city. The total damage amounted to $100 billion, 2.5 % of Japanese GDP at the time.   

 

Kobe City is sited on a narrow strip of land between the ocean and a mountain range, so the city had to construct artificial islands in order to expand. The first, Port Island 1 is complete. Port Island 2 was under construction at the time of these visits. Port Island 3 was beginning construction and is now completed. It is the site of Kobe Airport.

 

 

Port Island 2 from the Portopia Hotael showing construction progress from December 1997 to January 1999.

 

 

Shortlink http://q.gs/ERqIf

Comments

  1. Congratulations Chris. You’ve done it again! I have collected your Christmas/New Years greetings cards over many years now, for which I thank you. The subjects of this batch of watercolours have a very original slant – things many of us may see but never study or record. I recall suggesting (more than once) that you write a historical record of the achievements of BSD, but we all write while very few of us can paint watercolour sketches like you have consistently done. I am reminded of the watercolours of a fellow British architect, Sir Hugh Casson, with which I became acquainted when I was in college, but your work breaks with convention, and in so doing places you in a unique genre of watercolour artists. Thanks for the trip.

    > Reply
  2. Chris:

    Your work is amazing!!!

    > Reply
  3. Hi Chris – great work! I lived in Kobe Japan from 1992 to 1999 and I love your artwork. I would like to know if you sale your work and if so how might I go about purchasing a large print of the city view titled “Kobe, Japan, 8.1999, Shinkobe Oriental Hotel”?

    Hope to hear from you soon!

    Best & Happy New Year!

    > Reply

> Submit

Select filter(s):

Ispirazione

In amber morning light I boarded a vaporetto and floated down Venice’s Grand Canal. Bit of a switch from Dallas.

 

> Read More

Shortlink http://q.gs/ERpe5

The Art of Assemblage

 

“Nature uses only the longest threads to weave her patterns, so that each small piece of her fabric reveals the organization of the entire tapestry.”

 

-Richard P. Feynman

 

We enter a fabric womb, a cave-like space of soft stalactites that brush against us, shifting and pooling us into groups. We’ve stumbled into the world that is Give, an installation by artists Bird Feliciano and Juliana Raimondi.

> Read More

Shortlink http://q.gs/ERpe4

Contributor Profile: Arianne Gelardin and Jacob Palmer

 

Arianne Gelardin and Jacob Palmer are co-curators for StoreFrontLab‘s Season 2: City Making Series.

> Read More

Shortlink http://q.gs/ERnNg

Invisible Urbanism

Ian Quate at the opening of the summit. (Photo: John Parman)

How do you make yourself at home in a cauldron filled with demons? I’m quoting the founder of Soto Zen, but the question was also posed at a recent San Francisco summit. > Read More

Shortlink http://q.gs/ERph4

Contributor Profile: Leah Nichols

 

Leah Nichols is a San Francisco-based urban designer and art activist. She currently works at SITELAB urban studio, implementing public realm possibilities within a range of scales, from 28-acre mixed use developments to chain-link fence installations.

Urban Symposium No. 1

The first Urban Symposium event, as a part of StoreFrontLab Season 2, kicked off with a full room of people, each with a party hat on and margarita in hand. > Read More

Shortlink http://q.gs/ERpvY

TraceSF launches City Makers salon

This month TraceSF introduces City Makers, a new salon series at StoreFrontLabHosted by Amanda Loper of David Baker Architects and Emily Gosack of Jensen Architects, City Makers grew out of a desire to hear more from the women at the forefront of City Making. John Parman, a founding editor of TraceSF, spoke with Amanda and Emily about the series, which opens on October 28 with  Laura Crescimano, a principal of SITELAB urban studio.

> Read More

Shortlink http://q.gs/ERrH3

Contributor Profile: Michael Willis

Michael Willis is a well-known Bay Area architect.

Shortlink http://q.gs/ES02d

Knowledge City: Rethinking Heidelberg

Berlin architect Professor Michael Braum led off the first day’s session. Photo: Michael Willis

Heidelberg, one of Europe’s oldest university towns, is looking at its future. Here’s a firsthand account of what’s ahead and what it might means for university towns here. > Read More

Shortlink http://q.gs/ERsCH

Carlo Scarpa In Person

“Carlo Scarpa, Berkeley, California, 1969,” photo courtesy of the University of California Berkeley Art Museum and Pacific Film Archive.

 

When one turns the page of an architecture magazine and the work of Carlo Scarpa appears unexpectedly, a quiet inner thrill is felt. Since his passing in 1978, we seem increasingly moved by Scarpa’s caress of material, his strange but faultless sense of placement and proportion, the contemplative nature of his details. These appreciations are heightened by the knowledge that his output was relatively limited. > Read More

Shortlink http://q.gs/ES1P3

Contributor Profile: Max Levy

 

A graduate of the University of California at Berkeley (1970), Dallas architect Max Levy, FAIA, established his studio in 1984. He is best known for designs that connect people with nature in both rural and urban settings. > Read More

Shortlink http://q.gs/ES4vp

Planned Growth or Unplanned Strife?

 

Will San Francisco follow through on its carefully laid plans to accommodate a growing population, or will it continue to fight the same battles time and time again?

> Read More

Shortlink http://q.gs/ERpoL

Contributor Profile: Mark Hogan

 

Mark Hogan AIA, LEED BD+C is a licensed architect in the states of New York and California. His primary interests lie in housing, sustainable urban design and in enhancing digital design workflows. > Read More

Shortlink http://q.gs/ERlTA

Urban Activation Device & TXP

Spanish art & architecture collective Todo Por La Praxis is seeking collaborators and participants for their experimental research on activating the urban void. > Read More

Shortlink http://q.gs/ERrG9

When Cities Fall: Urban Histories and Political Memory

Destroyed city of Mostar, Bosnia-Herzegovina in 1995. Photo by Thom Hoffman.

Our experience of the present is shaped by our understanding of the past. By ignoring the urban narratives of  monuments, structures, city parks, memorials…what messages are we missing for the present?  > Read More

Shortlink http://q.gs/ERrH1

Save SLO County!

Heading into Paso Robles from the west, 2013

 

Will San Luis Obispo (SLO) County remain predominantly agricultural, or will it sink into the same morass of rural sprawl that took out Orange County? It could go either way, but there’s still hope if we act now. > Read More

Shortlink http://q.gs/ERpxO

The Living Newspaper: Extra Extra

Image courtesy of Southern Exposure

Southern Exposure is launching a public art program, The Living Newspaper: Extra Extra, the first West Coast performance project by the artist Liz Magic Laser and her collaborators, the actors Audrey Crabtree and Michael Wiener. > Read More

The Floods in Budapest

Eyes on the River. Photo by Christopher Herring.

The stone banks alongside the river contain the city. Despite them, here is the river, rising.  Silently, swiftly the waters swarm downstream; the swell of water does not much alter the river’s appearance.  You know there is more of it now only because benches, parks, and the bike road are being submerged.  It has not yet risen to the main city wall, about 20 feet higher; three more days of flooding expected.  

> Read More

Shortlink http://q.gs/ERqlf

Contributor Profile: Elizabeth Snowden

Photo by Christopher Herring.

Elizabeth Snowden is a Berkeley-based writer and editor. A graduate of Bard College, she has edited catalogues raisonnés on Picasso and Gris for Wittenborn Art Books in San Francisco.

Shortlink http://q.gs/ERsMI

Mr. Waka’s Dog House

Joseph Kosuth reviewing plans for the art installations at the Dog House. Photo by pm cook.

 

“Get out at the Sakuragaoka post office. Turn around and you’ll see a Lawson’s. Walk to it and then turn left. Walk up that street and you’ll see the Dog House on the right.” Typical Tokyo directions from the art impresario and entrepreneur Joni Waka. > Read More

Shortlink http://q.gs/ERrHe