How do you make yourself at home in a cauldron filled with demons? I’m quoting the founder of Soto Zen, but the question was also posed at a recent San Francisco summit. > Read More
How do you make yourself at home in a cauldron filled with demons? I’m quoting the founder of Soto Zen, but the question was also posed at a recent San Francisco summit. > Read More
This month TraceSF introduces City Makers, a new salon series at StoreFrontLab. Hosted by Amanda Loper of David Baker Architects and Emily Gosack of Jensen Architects, City Makers grew out of a desire to hear more from the women at the forefront of City Making. John Parman, a founding editor of TraceSF, spoke with Amanda and Emily about the series, which opens on October 28 with Laura Crescimano, a principal of SITELAB urban studio.
“Get out at the Sakuragaoka post office. Turn around and you’ll see a Lawson’s. Walk to it and then turn left. Walk up that street and you’ll see the Dog House on the right.” Typical Tokyo directions from the art impresario and entrepreneur Joni Waka. > Read More
Join San Francisco design doyenne (and TraceSF fan) Barbara Stauffacher Solomon at the launch party for her autobiographical book, Why? Why Not?: 80 Years of Art & Design in Pix & Prose, and her experimental Utopia Myopia: 36 Plays on a Page, May 3, 2013, 7–9 p.m., McRoskey Mattress Co., 1687 Market @ Gough, third floor. $5 or free with book purchase.
“Where were the students?” one of their professors asked me as we were leaving. It was a pity they missed the lecture, because Professor Machado had aimed to instruct, showing in detail how three of his projects moved from planning to completion, warts and all. > Read More
Playing to a big, friendly crowd, Rice Professor Lars Lerup acknowledged his Berkeley roots in a lecture on Wednesday night, 7 March, centered on his new book on the Houston cityscape, One Million Acres & No Zoning (Architectural Association, 2011). > Read More
Postmodernism is enjoying a modest revival, with a retrospective exhibit at the V&A, a conference in New York, and several new books that reassess its past and present claims. Postmodernism emerged here in the late 1970s as serious competition for the corporate modernism and bay regionalism predominant earlier in that decade, but my personal encounters with postmodernists began slightly earlier. This short essay recounts them.
John Parman is an editor and writer, based in Berkeley (www.j2parman.com; j2parman@yahoo.com). He co-founded and published Design Book Review and is an editorial adviser to Architect’s Newspaper, CA edition.