Buckminster Fuller and Chuck Byrne, Non-Symmetrical Tension-Integrity Structures, United States Patent Office no. 3,866,366, from the portfolio Inventions: Twelve Around One, 1981; screen print in white ink on clear polyester film; 30 x 40 in.; Collection SFMOMA, gift of Chuck and Elizabeth Byrne; © The Estate of R. Buckminster Fuller, all rights reserved. Published by Carl Solway Gallery, Cincinnati.


The only time I heard him speak, Buckminster Fuller managed to jump from the geometric properties of his geodesic domes to the proof of God’s existence. > Read More

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View from Yerba Buena Gardens. Image courtesy Snøhetta.


Compared to the existing San Francisco Museum of Modern Art building, the new addition designed by Craig Dykers of Snøhetta looks, well, very new. This is not stating the obvious; it seems as if the museum itself is about to change into something completely different. > Read More

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Richard Serra: A Retrospective

Picture 1: Richard Serra, Abstract Slavery, 1974; paintstick on Belgian linen; 114 x 212 inches; collection of Kröller-Müller Museum, Otterlo, The Netherlands; © 2011 Richard Serra / Artist Rights Society (ARS), New York; photo: Robert Mates and Paul Katz


Richard Serra is the quintessential modern artist. The exhibition Richard Serra Drawing: A Retrospective at the San Francisco Museum of Modern Art makes obvious that he’s immune to convention, a follower of no movement, and firm against authority—occasionally even his own. > Read More

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Contributor Profile: Paolo Polledri


Paolo Polledri is a writer and designer. He worked at the Getty Center and was the founding Curator of Architecture and Design at the San Francisco Museum of Modern Art. > Read More

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