Brad Leibin is an architectural designer and writer in San Francisco. He is a Project Manager at nonprofit Public Architecture where he involved in the research, design, and development of the organization’s public-interest design initiatives and consultancy projects.
In amber morning light I boarded a vaporetto and floated down Venice’s Grand Canal. Bit of a switch from Dallas.
“Nature uses only the longest threads to weave her patterns, so that each small piece of her fabric reveals the organization of the entire tapestry.”
-Richard P. Feynman
We enter a fabric womb, a cave-like space of soft stalactites that brush against us, shifting and pooling us into groups. We’ve stumbled into the world that is Give, an installation by artists Bird Feliciano and Juliana Raimondi.
Arianne Gelardin and Jacob Palmer are co-curators for StoreFrontLab‘s Season 2: City Making Series.
How do you make yourself at home in a cauldron filled with demons? I’m quoting the founder of Soto Zen, but the question was also posed at a recent San Francisco summit. > Read More
Leah Nichols is a San Francisco-based urban designer and art activist. She currently works at SITELAB urban studio, implementing public realm possibilities within a range of scales, from 28-acre mixed use developments to chain-link fence installations.
The first Urban Symposium event, as a part of StoreFrontLab Season 2, kicked off with a full room of people, each with a party hat on and margarita in hand. > Read More
This month TraceSF introduces City Makers, a new salon series at StoreFrontLab. Hosted by Amanda Loper of David Baker Architects and Emily Gosack of Jensen Architects, City Makers grew out of a desire to hear more from the women at the forefront of City Making. John Parman, a founding editor of TraceSF, spoke with Amanda and Emily about the series, which opens on October 28 with Laura Crescimano, a principal of SITELAB urban studio.
Michael Willis is a well-known Bay Area architect.
Heidelberg, one of Europe’s oldest university towns, is looking at its future. Here’s a firsthand account of what’s ahead and what it might means for university towns here. > Read More
When one turns the page of an architecture magazine and the work of Carlo Scarpa appears unexpectedly, a quiet inner thrill is felt. Since his passing in 1978, we seem increasingly moved by Scarpa’s caress of material, his strange but faultless sense of placement and proportion, the contemplative nature of his details. These appreciations are heightened by the knowledge that his output was relatively limited. > Read More
A graduate of the University of California at Berkeley (1970), Dallas architect Max Levy, FAIA, established his studio in 1984. He is best known for designs that connect people with nature in both rural and urban settings. > Read More
Will San Francisco follow through on its carefully laid plans to accommodate a growing population, or will it continue to fight the same battles time and time again?
Mark Hogan AIA, LEED BD+C is a licensed architect in the states of New York and California. His primary interests lie in housing, sustainable urban design and in enhancing digital design workflows. > Read More
Spanish art & architecture collective Todo Por La Praxis is seeking collaborators and participants for their experimental research on activating the urban void. > Read More
Our experience of the present is shaped by our understanding of the past. By ignoring the urban narratives of monuments, structures, city parks, memorials…what messages are we missing for the present? > Read More
Will San Luis Obispo (SLO) County remain predominantly agricultural, or will it sink into the same morass of rural sprawl that took out Orange County? It could go either way, but there’s still hope if we act now. > Read More
Southern Exposure is launching a public art program, The Living Newspaper: Extra Extra, the first West Coast performance project by the artist Liz Magic Laser and her collaborators, the actors Audrey Crabtree and Michael Wiener. > Read More
The stone banks alongside the river contain the city. Despite them, here is the river, rising. Silently, swiftly the waters swarm downstream; the swell of water does not much alter the river’s appearance. You know there is more of it now only because benches, parks, and the bike road are being submerged. It has not yet risen to the main city wall, about 20 feet higher; three more days of flooding expected.
Elizabeth Snowden is a Berkeley-based writer and editor. A graduate of Bard College, she has edited catalogues raisonnés on Picasso and Gris for Wittenborn Art Books in San Francisco.
“Get out at the Sakuragaoka post office. Turn around and you’ll see a Lawson’s. Walk to it and then turn left. Walk up that street and you’ll see the Dog House on the right.” Typical Tokyo directions from the art impresario and entrepreneur Joni Waka. > Read More